Going the Distance – A Refreshing Rom-Com

You have to be in the mood to see a romantic comedy. At least I do. And sometimes I’d rather subject myself to every Police Academy, Friday the 13th, or even Rambo film ever made to avoid seeing a terribly formulaic romantic comedy starring a skinny actress who is unfortunately so stuck with Botox that she is incapable of emoting anything except disdain…or maybe its hunger? Anyway – because of the fondness I have for Drew Barrymore (don’t ask me, I just like her) I hit the theater for Going the Distance.

I have to say the movie is a little confusing. The couple (Drew Barry and Justin Long) meet and almost immediately (with the help of the all important montage) have to embark on a long distance relationship. It takes place in the present, but doesn’t offer up any present day technology when it comes to staying in touch. There is not a text message to be found. And the jobs of the characters are throwbacks as well.

But the storytelling is refreshing. The couple are together (well, at least try to be together) because they really care for each other’s company. And the one real-world complication of the bad economy is a good twist as to why the couple can’t seem to get together.  It’s also truly invigorating that this rom-com doesn’t rely on the mostly crappy slap stick that non-creative executives almost always insist on adding to a character driven script.  Because of that, the movie is smooth and low-key. You’re not tempted to get up to go to the bathroom in order to avoid the stupid scene with someone either getting hit or “accidentally” having an important piece of clothing ripped from her body.

Bravo, Drew! You’ve come a long way, Gertie.

Temple Grandin – Big Emmy Wins for Claire Danes and others

Well, the year’s award season kicked off this past weekend with the 62nd Annual Emmy Awards with a big winner being Temple Grandin. An HBO film, the made-for-TV-movie is very well deserving of all the accolades. Temple Grandin (played beautifully by Claire Danes, a winner for best actress) is a high functioning autistic woman who falls in love with animal husbandry and goes on to earn a Ph.D and become a world-famous animal scientist and autism self-advocate.

Skillfully directed by Mick Jackson (The Bodyguard), the story attempts and succeeds in explaining in a “non-explainy” way how Temple’s brain works. It is extraordinarily effective. You learn how after one viewing or hearing of something Temple remembers it – perfectly. How she is unable to understand idioms – her brain is incredibly literal. And how unfortunate it is that she is unable to express affection or receive affection from others. Temple finds it difficult to be touched (which made the real life moment of the actual Temple Grandin hugging Executive Producer Emily Gerson after the movie won for best television movie even more poignant). A touching moment in the film is when her mother (Julia Ormond – winner of best supporting actress for her portrayal) talks to Temple about how expression is given through the eyes – an action Temple exclaims she will never be able to do. Heartbreaking.

With the help of an understanding teacher (the enormously underrated David Strathairn – again an Emmy winner for this film) Temple discovers her special ability to think like animals – mainly cows – and goes on to develop a very successful career. And how many of us yearn for a successful career doing something we love? Damn, that’s lucky!

This film is a lesson in never believing in labels. Temple Grandin’s story is an attest to that. She will always be different and for that she will always be a wonder.

Solitary Man – A Great Little Movie on DVD

In this midst of the abysmal summer movie selection, I resorted to my good ‘ol pal Netfilix for something to watch and I came across Solitary Man with Michael Douglas. This is a great little film and excellent companion to the terribly underrated Douglas movie Wonder Boys. Written and codirected by Brian Koppelman, the film is quiet but extremely moving – primarily because of the performance of Michael Douglas.

Douglas plays, Ben Kalmen, a player, a dog, an old dog – a really unlikable guy, but played with such finesse that you find yourself actually routing for him. The movie is great storytelling. It shows conflict that could be construed as “a story that’s already been told over and over again.” Not the case with this film. It takes you somewhere. You are moved. You keep watching and hoping that Ben Kalmen makes it on his journey to redemption and forgiveness.

The crappy release date of this movie makes it difficult to be a contender for this year’s award season. But Douglas’ performance should not be overlooked. It’s a stunner and resonates even more with the news of Douglas’ cancer diagnosis. Hopefully its release on DVD will remind the industry of this great leading man performance. Fingers crossed!

The Girl with the Dragon Tattoo – Why Even Bother with an American Version?

After a long wait, Netflix finally delivered the Swedish version of the movie The Girl with the Dragon Tattoo based on the famous book of the same name.  Watching it, the main thing I think is, “Why even bother remaking it?”

The movie is so complete that I honestly don’t know how Hollywood believes it can improve upon it. But then again, I’m not searching for the next big moneymaking franchise. Maybe it’s because it will be in English? Maybe it’s because of the actor Daniel Craig in the lead role? Maybe it’s because of the media hoopla surrounding the casting of the unknown Rooney Mara as the computer hacker Lisabeth Salander? All of these reasons I see as major obstacles.

Directed by Niels Arden Oplev, the Swedish film is a good and solid adaptation of Stieg Larsson’s story and makes up for where the novel lacks – characterization and setting. And the actor’s do a brilliant job bringing the story to life. The strong and smart character of Mikael (played by Michael Nyqvist) comes across as soft and lonely…vulnerable. This makes the audience care more and the investment in his story is increased. Something that I fear will be lost with the character’s portrayal by Daniel Craig, known for hard, emotionless roles (I mean he WAS James Bond).  The very strange and violent and introverted Lisabeth (played by the fantastic Noomi Rapace) – now here’s the biggest problem. This role is so incredibly well defined by the Swedish actress that I think anyone else’s portrayal will fail in comparison. I worry for the poor unknown. Let’s just hope Mara has the depth, the bravery, to transform herself as well as Rapace and then bring something to the role that hasn’t already been seen. No pressure.

There are other issues – the Swedish film uses the cold, landscape of the countryside as if it were another character in the book. If they film the American version in a different location it could rob the story of an important authentic element. Also, the dialogue in the Swedish version, although subtitled in English, adds an extra an unexpected touch. The rhythm of the language just adds to its authenticity, to its mystique, to what makes the story something special.

It’s a waiting game now to see what the American version director (David Fincher – Zodiac, The Curious Case of Benjamin Button) has in store for this movie. But at least the next Swedish installment – The Girl That Played with Fire – is available on DVD.

South Pacific, Revival of a Classic – Now on Tour

A visit to the theater is a quintessential New York City experience – at least for some…well, let’s say at least for me. And when I am lucky enough to score a ticket to a Tony award-winning revival before it ends its record-breaking run, I think that maybe for once the fates are on my side – which hardly ever happens.

South Pacific at Lincoln Center (another quintessential piece of New York City) is truly worth every Tony it won. There hasn’t been a revival of this Rogers & Hammerstein show for forty years. Probably because of the racially driven undertones combined with a war setting – not the normal happy-go-lucky musical. But I think it was waiting for the director Bartlett Sher to come along and add his special sensibility.  The storytelling is stellar. Some think musicals lack story, but South Pacific – at least this production of South Pacific – manages to weave all stories in a concise and easy to understand manner. It lacks the usual “now let me break into a song to tell you how I feel” type of staging. But let me be absolutely honest…I have a soft spot for musicals, particularly Rogers & Hammerstein musicals so I can’t be completely impartial.

The stage design is innovative and packs a punch. It is the beach of the small island, complete with a view of Bali Hai in the distance. The cast is simply…perfect from the cock-eyed optimist Nellie (Kelli O’Hara) to the terribly sexy with a voice to die for Emile de Becque (my new crush the Brazilian hottie Paulo Szot) to the wonderful Bloody Mary (Loretta Ables Sayre) and the cowardly lion-esque Luther Billis (Danny Burstein). All unforgettable.

I don’t want to give away too much. The show is now on tour. If it comes to your town – go see it. Take your friends. Take your kids. Although it is set in the 1940’s the show is still relevant today, perhaps even more so. But don’t worry – it still has a happy ending.